The Impact of Art on Social Preferences in Farabi’s Perspective

Document Type : Scholary

Authors

1 Department of Islamic Philosophy and Theology, Faculty of Theology, University of Tehran, Tehran, Iran

2 Department of History of Islamic Arts, Cinema and Theater Faculty, Tehran University of Art, Tehran, Iran

10.22059/jcis.2023.327446.1181

Abstract

Abu Nasr Farabi believes in the critical influence of the arts of his own time, such as poetry, paintings, images, statues, and crafts in the utopia. The second rank of Farabi’s utopia includes ‘carriers of the religion’ who are orators, poets, music composers, and others. There is a shared task between the first two ranks, which is the translation of intellectual concepts and ultimate happiness into imaginable forms in order to make them understandable for the public. The philosopher, on the first level, uses allegories to render the intelligible into imaginable, and it is this regard for the public that makes him the prophet. The media and artists’ duty, on the second level, includes the same task of simplification of intellectual concepts and ultimate contentment. This is what makes them the ‘carriers of religion.’ But how effective is art in changing political preferences? This essay reports what is probably the first scientific study of the effect of media and art on political preferences. Using a randomized experiment, this study measures the extent to which a short film weakens misogyny.

Keywords

Main Subjects

References

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Classical and Contemporary Islamic Studies (formerly known as Journal of Contemporary Islamic Studies)
Volume 7, Issue 1
January 2025
Pages 1-8

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